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LITERATURE COURSES |
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Course
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Title
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Description
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| ENGL 121
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British Literature, 19th and Early 20th Century | Survey of Romantic, Victorian, and Modern periods. Poetry, novels, and plays.Fall and Spring. |
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ENGL 122 |
Introduction to American
Literature |
This course introduces
prospective English majors to the range of American writing from the period
of European settlement of the |
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ENGL 123 |
Introduction to Fiction |
Novels and shorter fiction
by Defoe, Austen, Dickens, Faulkner, Wolfe, Fitzgerald, Joyce, and others. |
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ENGL 124 |
Contemporary Literature |
The literature of the
present generation. |
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ENGL 125 |
Introduction to Poetry |
A course designed to
develop basic skills in reading poems from all periods of English and
American literature. |
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ENGL 126 |
Introduction to Drama |
Drama of the Greek,
Renaissance, and Modern periods. |
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ENGL 127 |
Writing About Literature |
This course explores how to
think and write about literature. It assumes that all of us can begin with
our personal responses to literature and use critical thinking and writing skills
to develop interpretations exploring the literary aspects of these works and
the ways they relate to our lives and culture. The course also extends study
of literary works to include items that reflect both historical and
contemporary thinking and culture. In addition to familiar poems, plays,
essays, and stories, items of study include works of art and images as well
as music and film. Class activities include lecture, discussion, group work,
and project-based workshops. |
ENGL 128
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Major American Authors
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A study of approximately
six major American authors drawn from Emerson, Thoreau, Hawthorne, Melville,
Stowe, Whitman, Clemens, Dickinson, Chesnutt,
James, Eliot, Stein, Hemingway, O'Neill, Faulkner, Hurston,
or others.
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| ENGL 129 | Literature and Cultural Diversity | Studies in African American, Asian American, Hispanic American, Native American, Anglo-Indian, Caribbean, Gay-Lesbian, and other literatures written in English. Fall and Spring.
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| ENGL 141 | World Literatures in English | This course will be a basic introduction to literatures in English from Africa, the Caribbean, South Asia, Canada, Australia, New Zealand and other Anglophone literary traditions. Fall 2009 only. |
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ENGL 143 |
Film and Culture |
This course examines the ways in which culture and history shape and are
shaped by motion pictures. This course uses comparative methods that groups
related films according to contrasts, such as historic or contemporary,
mainstream or cutting-edge, English- or foreign-language. The goal of this
course is for students to extend more technical, analytical knowledge about
films offered in other courses to specific cultural contexts and issues. As
such, the course emphasizes discussion and a broad range of screenings, as
opposed to canonical film studies topics and movies. The course attempts to
pair each week a movie that is likely to be familiar with one that is less
accessible. The purpose of this strategy is for students to broaden their
perspectives on film by appreciating connections between the past and the
present, between established ideas and reinterpretations of those ideas, and
between films and filmmakers separated by time, geography, ideology,
language, and fashion. By playing the familiar against the unfamiliar,
students are asked to use what they already know as a foundation to learn
more. More importantly, such oppositions encourage students to rexamine what is "familiar" and why.
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ENGL 144 |
Popular Genres |
This course will introduce
students to the study of popular genres in fiction. Students will read works
drawn from categories as diverse as mystery, romance, westerns, science
fiction, fantasy, children's literature, and horror fiction, to name only a
few. Articles about the form and cultural function of such genres will be
read alongside the primary texts. |
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RECITATION SECTIONS |
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Course
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Title
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Description
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| CMPL 120 | Epic and Lyric Traditions | This course focuses on the development of epic and lyric genres, from ancient Greece through the seventeenth century. Students will learn about changing conceptions of poetic genre and literary decorum as well as about the various challenges to "epic" values issued by poets working across a wide range of lyric traditions (pastoral, georgic, love lyric, and the satire/epigram tradition). Fall 2009 Lecture taught by Dr. Clayton Koelb; Spring 2010 lecture taught by Dr. Jessica Wolfe. |
| CMPL 123 | Literature and Politics from Classical Antiquity to 1750 | Examines comparative literary texts in the context of developments in political thought and practice from classical Greece up through the eve of the French Revolution. Students will read representative literary texts from different cultures and historical periods side by side with appropriate works of political philosophy. Spring 2010 only. Lecture taught by Dr. Shayne Legassie. |
| CMPL 132 | Performance and Cultural Identity in the African Diaspora: African, Afro-American, and Carribean Linkages | Explores theories on the existence of the African Diaspora, cultural identity/-ies, and the manner(s) in which "performance" contributes to the articulation of experiences within the Diaspora. Students will read and discuss literary texts for their ability to present "performance" in terms of social dramas, social performances, and cultural performances. Fall 2009 only. Lecture taught by Dr. Rebecka Fisher. |
ENGL 120
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British Literature to 1800 |
Required of English majors.
Survey of Medieval, Renaissance, and Neoclassical periods. Drama, poetry, and
prose.
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| ENGL 121
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British Literature, 19th and Early 20th Century |
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ENGL 142 |
Film Analysis |
The purpose of this course
is to introduce students to the vocabulary and rhetoric of film analysis,
from the most basic concepts of the cinema (shot, frame, montage) to more
complicated ideas about space, time, action, genre, and narrative. In this
sense, the aim of the class will be twofold: on the one hand, students will
be asked to critically re-consider and re-evaluate the habitual ways we all
watch and think about the movies; on the other hand, students will be asked
to begin open themselves to cinematic techniques, ideas, and histories that
they may not have encountered in the past. |
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ENGL 225 |
Shakespeare |
A study of representative
histories, comedies, tragedies, and romances. The aim of the course is to
develop strategies for close readings of Shakespearean
drama that pay attention to generic expectation, language, and the physical
properties of the stage; at the same time, we will seek to read Shakespeare
culturally, to recognize the ways these texts participate in their historical
moment and in the debates over social ordering, gender, political authority,
economic change, and religious and philosophical controversy. |
ENGL 284
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Reading Children's
Literature
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An overview of the
tradition of children's literature, considering the ways those books point to
our basic assumptions about meaning, culture, self, society, gender, economics.
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ENGL 320
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Reading Children's
Literature
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An introduction to Chaucer's major poetry: Troilus and Criseyde, the "dream" poems (e.g., Parliament of Fowls), and The Canterbury Tales.
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ENGL 338
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Nineteenth-Century British
Novel
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Important novelists in the
tradition, from Austen to Wilde.
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ENGL 347
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The American Novel |
The development of the American novel, from the late eighteenth century through the twentieth century. May proceed chronologically or thematically.
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